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Nashville, TN (February 27, 2026) – Rising country artist Katie Fee invites listeners to pour a glass and soak in the moment with the release of her new EP, Whiskey & Sunsets. The project brings together all of the music she’s released over the past year, along with one brand-new track that signals where her sound is headed next.

Tracklist: 
1. What You’re Getting Yourself Into
2. Whiskey & Sunsets
3. Hide & Seek
4. Midnight Margaritas

Blending modern pop sensibilities with timeless country storytelling, Whiskey & Sunsets highlights Fee’s knack for pairing emotional grit with warmth and honesty.
 

The title track and heart of the EP, “Whiskey & Sunsets,” tells a love story of opposites attracting. Much like its namesake, the song captures both contrast and chemistry, proving that differences can create something beautifully balanced.
 

The lyrics paint a vivid picture: she’s “soft like the breeze through the leaves,” while he’s “a hundred proof straight in a glass.” Set against firework skies and rosy pink clouds, Fee explores a romance that defies logic but feels undeniably right. Lines like “Hands so rough, but soft to the touch / Callouses she can mend” serve as a reminder that love often surprises you, steadies you, and makes sense even when you can’t quite explain it.

About Katie Fee:
Katie Fee’s musical journey began in her hometown of Sioux Falls, South Dakota, where she grew up surrounded by the sounds of ’90s country icons like Shania Twain, Faith Hill, and Deana Carter. These early influences ignited her passion for music, and in the fall of 2017, Katie made the move to Nashville to pursue her dreams. She enrolled at Belmont University, where she studied music business, immersing herself in the vibrant songwriting community of Music City.
 

While she fuses influences of past and present, country, pop, and Americana, the South Dakota native still strives to stay true to country music’s storytelling roots. Whether writing about love, heartbreak, or life’s simple pleasures, Katie crafts songs that take listeners on a journey, with lyrics that resonate long after the song ends.
 

In July 2021, Katie released her debut EP Sunsets and Fireworks, followed by her full-length album Runaway Heart in October 2023. The album earned great reviews and was nominated for Country Female Album of the Year at the 10th Annual Josie Music Awards.
 

Katie’s music is more than just a passion—it’s a way of life. Her love for travel has taken her across the country, from South Carolina to Minnesota, and as far as the Wild West Songwriters’ Festival in Deadwood, SD. On the road, she connects with fans and fellow musicians alike, building a community of listeners who share her appreciation for heartfelt, authentic country music.
 

Katie continued her momentum into 2025 with three fresh singles: “What You’re Getting Yourself Into,” “Midnight Margaritas,” and “Hide & Seek.” These tracks pave the way for more new music in 2026.
 

For more information, visit www.katiefeemusic.com and follow Katie on Facebook, Instagram, TikTok and Twitter.

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Nashville, TN (February 16, 2026) – British country-pop powerhouse Twinnie releases her soul-baring new single, “Midnight Company,” now available on all major streaming platforms. 

The song was exclusively premiered on WSM Radio’s On Air With Eryn on Friday, February 13. Host Eryn Cooper welcomed Twinnie live in studio for an in-depth interview and spun both “Midnight Company” and “Hypothetically” on air.
 

Dripping with late-night vulnerability and haunting honesty, “Midnight Company” explores the blurred lines of love, loneliness, and longing. Crafted for those quiet moments we rarely admit to (like the familiar arms we reach for when the world feels too heavy), Twinnie captures the pull of old habits and the subtle slipping of reality in a track as seductive as it is sincere. 
 

“Midnight Company is one of my favorite songs I’ve ever written,” Twinnie shares. “It’s about someone I loved deeply but could never quite get right. The constant push and pull, breaking a cycle that kept repeating. I love the groove… it feels very country-pop and passes the dance test! Justin Klump, Jeffrey Middleton, and I wrote it in about 20 minutes. It came together that quickly!” 
 

From the opening line, “I’m not your girl, you’re not my man,” the song sets the stage for a night of crossed boundaries that feels both like a mistake and a necessity. With lyrics like, “You’re a little lost and I’m a little lonely / Baby shut your mouth, I need you to hold me,” Twinnie exposes the unspoken truths of complicated entanglements. 

Following its release, “Midnight Company” landed a Top-5 spot on Apple Music UK’s New Music Friday, alongside Dua Lipa and Charli XCX, and was added to several popular playlists including Spotify’s All New Country and Pandora’s Top Country Hits, further cementing its early momentum.

The track also sets the stage for Twinnie’s highly anticipated Dirt Road Disco Tour, bringing her high-energy live show to fans across the UK. Following the complete sell-out of her initial tour dates, Twinnie has added four additional stops in Birmingham, Brighton, York, and London. Tickets are selling fast and fans are encouraged to secure theirs before they’re gone! 

Tour Dates:

• Friday, March 20 – Birmingham, Rodeos BBQ
• Saturday, March 21 – London, The Lexington
• Sunday, March 22 – Brighton, Bella Union Vinyl Shop
• Wednesday, March 25 – York, Fortyfive Vinyl Cafe
• Friday, March 27 – Glasgow, Stereo
• Saturday, March 28 – York, The Crescent
• Sunday, March 29 – Manchester, The Deaf Institute
• Saturday, April 4 – Brighton, Komedia Studio
• Friday, April 10 – London, Lil’ Nashville

Twinnie has never been one to shy away from telling the truth in her music, and “Midnight Company” is no exception. For anyone who’s ever craved comfort at 2 a.m., this one’s for you.
 

About Twinnie:
Twinnie is a boundary-breaking British artist whose genre-blending sound, powerhouse vocals, and bold storytelling have earned her critical acclaim from BBC Radio, People, Forbes, Billboard, NPR, and more. Raised in the Romani Travelling community, she brings fierce authenticity and inclusivity to every lyric, performance, and project.


Her 2020 debut album ‘Hollywood Gypsy’ was named BBC Radio 2’s Album of the Week, while her 22-track follow-up ‘Something We Used to Say’ was hailed by NPR as one of the best albums of November 2024. Since relocating to Nashville, Twinnie has made her Grand Ole Opry debut, appeared on U.S. radio and television, and released her U.S. label debut EP ‘Welcome to the Club,’ which has surpassed 24 million streams.


In 2023, her single “Bad Man” charted on U.S. Country Radio, and in June 2025, CMT debuted the music video for her hit “Back to Jack” on the Paramount+ billboard in Times Square. The song is currently featured across CMT Equal Play, Spotify, and Apple Music playlists, highlighting Twinnie as one of today’s standout country artists.


A dynamic live performer, Twinnie has shared stages with Sheryl Crow, Lainey Wilson, and Chase Rice. Beyond music, she’s also a songwriter for Kylie Minogue, Bryan Adams, The Shires, and more, as well as an award-winning creative director and actress, joining the cast of the long-running British soap opera ‘Emmerdale’ in 2024.


As the founder of I Know A Woman, a nonprofit advocating for mental health access and equality in the music industry, Twinnie continues to use her platform for purpose-driven change.

With over 30 million streams, a growing global fanbase, and an unshakable commitment to authenticity, Twinnie continues to redefine what it means to be a modern artist—on her own terms.
 

For more information, visit https://twinnie.komi.io/ and follow Twinnie on Facebook, Instagram, X, TikTok and Spotify.

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Nashville, TN (February 13, 2026) – Singer-songwriter Sam Ferrara has released her new single, “Second Place,” a vulnerable confession about feeling overlooked in love and life, and the resilience it takes to move forward.

Built on modern country storytelling, “Second Place” confronts the quiet weight of comparison, self-doubt, and unmet expectations. With unfiltered lyrics and a soaring chorus, Ferrara captures the challenge of offering yourself compassion while measuring your path against others.

Both introspective and empowering, “Second Place” captures the push and pull of doubt and determination. With lines like “It’s hard to give myself grace/ When I always come in second place,” Ferrara transforms vulnerability into strength, closing the song with the declaration: “But I know I’m more than second place.”

“This song is an origin story for me, but also a coming-of-age story for anyone who has ever lived in the shadows,” Ferrara shares. “It’s a reminder that no matter who you are, you are enough.”


About Sam Ferrara:
Long Island’s own Sam Ferrara is fearlessly bringing her New York roots into her love for country music. Immersed in music from a young age, Sam adds a modern twist, blending elements from multiple genres and even incorporating saxophone to create her own fun and entertaining style of modern country. Her sound is starting to draw comparisons to artists such as Brandy Clark, Carrie Underwood, Mary Chapin Carpenter, Megan Moroney, Trisha Yearwood, and so many other artists who have inspired an entire generation.
 

As someone who has always had the drive and passion for music, Sam has made music a significant part of her life from performing to teaching the future generation. While in the classroom, Sam also pursued her love of storytelling through songwriting, bringing her to Nashville in 2017 and life has never been the same since.
 

Coming off of her 5-time Josie Award Nominated album Piece of Me, Sam feels this next chapter of music is going to be music that will have her connecting with her audience and give the world something to talk about. Sam’s award nominated song ‘I Need a New Fix’ helped set the bar for this next chapter, telling real life stories that happen within our big world or and even our small hometowns. Sam’s EP Small Town the EP with Grammy Award-winning producer Matt Leigh will arrive in summer 2026.


For more information, visit www.samferraramusic.com and follow Sam on Facebook, Instagram, TikTok, Threads, Twitter and Spotify.

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Nashville, TN (February 6, 2026) – Genre-blending singer-songwriter Amanda McCarthyhas released her highly anticipated sophomore full-length album, ‘Looking For The Light,’ an 11-track collection that captures the highs, lows, humor, and healing of confronting the past and choosing growth. Produced in Nashville by Kristian Veech, the album marks a bold new chapter in McCarthy’s evolution as both a writer and artist.

Early reviews are raving about Amanda’s electric, next-level artistry:

“We’ve been following Amanda’s career for some time now, and it’s been incredible to watch her growth…not only as an artist, but as a person. Her music still carries that touch of angst we all crave, now delivered with a new level of sophistication. Looking For The Light is a genuine reflection of the remarkable artist Amanda McCarthy is today.”
-Music City Melodies

“The production is sharp and clean and the wit cuts deeper. It’s giving Wilson Phillipsmeets Taylor Swift in group therapy deciding laughter beats crying.”
–Laurelanne Media

“Amanda McCarthy’s ability to move effortlessly between genres makes her music a standout on any playlist, and Looking For The Light is no exception.”
-Nashville Socialite

Rooted in pop with country influence and a touch of edge, ‘Looking For The Light’ highlights McCarthy’s range and emotional depth. Nashville tones shine on “Vodka” and “Every Bar Downtown,” pop-punk energy drives “I’m Not Fine (But I’m Okay),” and quiet reflection defines the closing tracks “The Last Word” and “Waste of a Heartbreak.” Rich harmonies, poetic lyricism, and raw storytelling underscore an album that feels honest, grounded, and unmistakably hers.
 

“Looking For The Light encapsulates leaving the most triumphant era of your life to thrive, crash, burn, and thrive again in a new city while battling undiagnosed ADHD and years of unprocessed trauma,” McCarthy shares. “We are embracing the good, the bad, and the LOL WTF. We’re choosing forgiveness over anger, peace over revenge, and connection over alienation.”
 

Track Listing:
1. Vodka
2. Normal
3. Fine.
4. I’m Not Fine (But I’m Okay)
5. Every Bar Downtown
6. LOL WTF
7. Lifeline (Healed)
8. Sunset
9. Don’t Stop Me
10. The Last Word
11. Waste of a Heartbreak

About Amanda McCarthy:
Most people don’t plan to drop out of college, become a parent before 21, and move to a new city during a pandemic, but Amanda McCarthy has always faced the unexpected head-on. From coffee shops and smoky bars to iconic stages like The Bluebird Cafe, The Listening Room, Mercury Lounge, and Hard Rock Cafes nationwide, she has built a full-time career on fearless storytelling and relentless hustle.
 

After developing her early career in New England, McCarthy credits an unforgettable moment—singing an Aerosmith song directly to Steven Tyler in a local bar—as the catalyst that pushed her to move to Nashville. Less than a year after relocating, she had already made music her full-time career.
 

Blending the pop/rock edge of Michelle Branch with the country-but-not-country cadence of Kacey Musgraves and harmony-driven acoustic storytelling, McCarthy has shared stages with artists including Steven Tyler, Hunter Hayes, Train, Natasha Bedingfield, Hall & Oates, Imagine Dragons, Styx, Rob Thomas, and more. She has performed for NASCAR, delivered a nationally televised National Anthem on ESPN, earned Grammy ballot entries, and received numerous awards, including Singer/Songwriter of the Year at the New England Music Awards.


Her debut album, Road Trip (2019), was met with high acclaim, and her sophomore album Looking For The Light builds on that success with an 11-track collection that showcases her growth as an artist.


​For more information, visit www.amandamccarthy.com and follow Amanda on Facebook, Instagram, Twitter, TikTok and Spotify.
 

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Nashville, TN (January 26, 2026) – Country music sensation Jacquie Roar is making waves with her electrifying cover of Tool’s iconic song “The Pot,” showcasing her genre-blending country-rock style. Since posting the video on social media, it has racked up over 2.2 million views on Instagram, over 1.1 million views on TikTok, and nearly 1 million views on Facebook. Fans are saying she “nailed” the performance, noting that they’ve “seen lots of bands attempt this and this is the best version…”

The cover has captured attention beyond her fanbase, earning shares from Spin Magazine and Classic Rock Moments in History, igniting conversations about her fearless musical approach. When asked about the video going viral, Roar exclaimed, “Take me on tour with you, Tool!”

Recently recognized with the “Vocal Powerhouse” award at the 2025 The Women of Country Awards, Jacquie Roar first gained widespread recognition on NBC’s The Voice Season 24, where she impressed audiences with stunning performances of Fleetwood Mac, Boston, and The Moody Blues classics.

Looking ahead, Roar will be opening for Max McNown on February 7 in Portland, Oregon, and for country hitmaker Easton Corbin this summer, bringing her dynamic performance style to a live audience once again.
 

With over 1 million career streams to date, Jacquie continues to push boundaries and leave her mark on the music industry charts, solidifying her place as one of country music’s most exciting rising stars.

About Jacquie Roar:
Jacquie Roar is a powerhouse in country music, known for her dynamic vocals and electrifying stage presence. She has shared the stage with icons like Reba McEntire, Martina McBride, Kelsea Ballerini, Gary Allan, Cody Johnson, Riley Green, Wynonna, Jackson Dean, and even hip-hop legend Nelly, proving herself as a force to be reckoned with.

Her journey to national fame began on The Voice Season 24, where she wowed audiences with her rendition of “Here for the Party” by Gretchen Wilson, earning a coveted Four-Chair Turn. Fighting her way through the competition, she secured a spot in the finale and finished in the top four.

In 2024, Jacquie made her highly anticipated Music City debut, performing at CMA Fest, the Grand Ole Opry Plaza and Nashville’s legendary Whiskey Jam, where she delivered a standout performance alongside Jamie O’Neal.

Most recently, Jacquie made history performing with Jelly Roll at the Oregon State Penitentiary—the first live music event on the prison yard in over two decades. Whether performing in a stadium or an intimate setting, Jacquie’s ability to connect with audiences defines her as a captivating and fearless performer.

For more information, visit www.jacquieroar.com and follow Jacquie on Facebook, Instagram, TikTok, Twitter, and Spotify.

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Nashville, TN (January 23, 2026) – Pop-centered singer/songwriter Amanda McCarthy is officially inviting listeners into her wildly relatable world with the release of her brand new single, “LOL WTF,” out now on all streaming platforms. Dialing her signature wit up to eleven, McCarthy transforms life’s most absurd, unbelievable moments into a sharp, self-aware anthem that proves sometimes all you can do is laugh.

“LOL WTF” reads like a soundtrack to an indie film: funny, tragic, chaotic, and painfully real. McCarthy skewers her own misfortune with references to dirty laundry and unexpected plot twists, creating a shared language for laughing through the madness rather than being consumed by it.
 

Blending the nostalgic charm of Wilson Phillips with the modern storytelling edge of Taylor Swift, “LOL WTF” feels both timeless and unmistakably current. With unforgettable lines like “If this is how my movie ends, I’m firing the writers” and the instant-hook chorus “LOL, what the f**k, I can’t make this sh*t up,” the song plays like a pop confessional wrapped in perfect comedic timing. It’s bold, honest, and refreshingly unfiltered, making it the ultimate anthem for anyone who’s ever looked at their own life and wondered how it could possibly be real.
 

Written in Nashville with Kristian Veech and Eitan Snyder (Lucky Money Writer Management) and produced by Kristian Veech, “LOL WTF” had already taken on a life of its own long before its official release. The song became a fan favorite years ago, so much so that McCarthy’s devoted fanbase secretly launched a crowdfunding campaign after she admitted she never planned to record it. Once she discovered what they had done, she joined in and the song was fully funded in under 24 hours, proving just how deeply this track resonated with her community.
 

The single arrives just weeks ahead of McCarthy’s highly anticipated sophomore full-length album, ‘Looking For The Light,’ set for release on February 6 and currently available for pre-save. The 11-track project captures the highs, lows, humor, and healing that come with confronting the past and choosing growth. While rooted in pop, the album showcases her genre-blending versatility: Nashville influence on tracks like “Vodka” and “Every Bar Downtown,” pop-punk energy on “I’m Not Fine (But I’m Okay),” and reflective maturity on closing songs “The Last Word” and “Waste of a Heartbreak.” Rich harmonies, poetic lyricism, and emotional depth highlight her evolution as both a writer and artist.
 

“Looking For The Light encapsulates leaving the most triumphant era of your life to thrive, crash, burn, and thrive again in a new city while battling undiagnosed ADHD and years of unprocessed trauma,” McCarthy shares. “We are embracing the good, the bad, and the LOL WTF. We’re choosing forgiveness over anger, peace over revenge, and connection over alienation.”

About Amanda McCarthy:
Most people don’t plan to drop out of college, become a parent before 21, and move to a new city during a pandemic, but Amanda McCarthy has always faced the unexpected head-on. From coffee shops and smoky bars to iconic stages like The Bluebird Cafe, The Listening Room, Mercury Lounge, and Hard Rock Cafes nationwide, she has built a full-time career on fearless storytelling and relentless hustle.
 

After developing her early career in New England, McCarthy credits an unforgettable moment—singing an Aerosmith song directly to Steven Tyler in a local bar—as the catalyst that pushed her to move to Nashville. Less than a year after relocating, she had already made music her full-time career.
 

Blending the pop/rock edge of Michelle Branch with the country-but-not-country cadence of Kacey Musgraves and harmony-driven acoustic storytelling, McCarthy has shared stages with artists including Steven Tyler, Hunter Hayes, Train, Natasha Bedingfield, Hall & Oates, Imagine Dragons, Styx, Rob Thomas, and more. She has performed for NASCAR, delivered a nationally televised National Anthem on ESPN, earned Grammyballot entries, and received numerous awards, including Singer/Songwriter of the Year at the New England Music Awards.

Her debut album ‘Road Trip’ (2019) was met with high acclaim and she is set to release her sophomore full-length, ‘Looking For The Light,’ on February 6.

​For more information, visit www.amandamccarthy.com and follow Amanda on Facebook, Instagram, Twitter, TikTok and Spotify.
 

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Nashville, TN (December 2, 2025) – Country powerhouse Jacquie Roar is kicking off the season with a sparkle, a strut, and a whole lot of self-respect with the release of her brand-new holiday single, “Christmas Miss Me.” Co-written with hitmaker Steve Fee (Max McNown, “A Lot More Free”), the track is a festive, feel-good breakup anthem designed to empower anyone spending the holidays healing, celebrating, and moving on.

Equal parts sass and seasonal cheer, “Christmas Miss Me” blends classic Christmas charm with bold, modern confidence, reminding listeners that sometimes the best gift you can give yourself is closure. With cheeky lyrics such as, “I returned those gifts I got for you and bought a dress, no it won’t be a silent night ’cause baby I confess, I’ll be rocking around the Xmas tree but it ain’t gonna be with you,” the song captures Jacquie’s signature fire while delivering a message of hope: heartbreak doesn’t stand a chance when you remember who you are.

“The holidays have a way of cranking your emotions up to a hundred,” Jacquie shares. “I wrote ‘Christmas Miss Me’ to say: go ahead, cry for a minute…but then fix your hair, put on that dress, and remember you’re the gift. The season can still be merry, and so can you.”

With “Christmas Miss Me,” Jacquie Roar reminds us that even the chill of winter can’t dim the glow of a woman who knows her worth.

About Jacquie Roar:
Jacquie Roar is a powerhouse in country music, known for her dynamic vocals and electrifying stage presence. She has shared the stage with icons like Reba McEntire, Martina McBride, Kelsea Ballerini, Gary Allan, Cody Johnson, Riley Green, Jackson Dean, and even hip-hop legend Nelly, proving herself as a force to be reckoned with.

Her journey to national fame began on The Voice Season 24, where she wowed audiences with her rendition of “Here for the Party” by Gretchen Wilson, earning a coveted Four-Chair Turn. Fighting her way through the competition, she secured a spot in the finale and finished in the top four.

In 2024, Jacquie made her highly anticipated Music City debut, performing at CMA Fest, the Grand Ole Opry Plaza, and Nashville’s legendary Whiskey Jam, delivering a standout performance alongside Jamie O’Neal.
 

Most recently, Jacquie made history performing alongside Jelly Roll at the Oregon State Penitentiary—the first live music event on the prison yard in over two decades. Whether performing in a stadium or an intimate setting, Jacquie’s ability to connect with audiences defines her as a captivating and fearless performer.

For more information, visit www.jacquieroar.com and follow Jacquie on Facebook, Instagram, TikTok, Twitter, and Spotify.

Little Lott Books is proud to announce the release of Addie Needs a Friend, the debut title in Andrew Lott’s new children’s series, Addie Needs a…, beautifully illustrated by Amanda Letcher.

Addie Needs a Friend introduces young readers to Addie, a curious and creative girl who loves to imagine, explore, and build new worlds. But even the most magical days can feel a little lonely, until Addie realizes she may be missing one small but mighty thing: a friend who understands her playful universe.
 

This tender, uplifting story celebrates friendship, curiosity, and the power of genuine connection. Whether it’s a first day in a classroom, a new workplace, or any unfamiliar space, we all know what it feels like to be “the new one.” Addie’s journey gently reminds readers (both little ones and the grownups who love them) that even in our loneliest moments, someone special might be closer than we think.
 

The book marks the beginning of the Addie Needs a… series, inspired by real family moments between Andrew and his daughter, Addie. What started as a simple bedtime idea has blossomed into the Addieverse: a warm and imaginative universe where big feelings, little lessons, and sweet adventures come to life one page at a time.

About Little Lott Books:
Little Lott Books creates stories that grow with children—stories that spark curiosity, kindness, and connection while helping little readers navigate life’s everyday moments.
 

Founded by Andrew Lott, a dad, tax tech professional, and military veteran turned children’s book author, the company was built on one simple belief: that every “need” can lead to something beautiful. The Addie Needs a… series began as a real moment shared between Andrew and his daughter and has since expanded into the Addieverse, a world where imagination and empathy take center stage.
 

With Addie Needs a Friend now available, Little Lott Books is just getting started and looks forward to sharing many more Addieverse adventures with families everywhere.

For more information, visit www.littlelottbooks.com and stay updated on Facebook and Instagram.

Nashville, TN (November 25, 2025) — Internationally renowned criminal behavioral analyst Laura Richards has been awarded the Doctor of Laws (Honoris Causa)from The University of Law in London, recognizing her extraordinary professional achievements and her tireless commitment to social justice. The University of Law is one of the UK’s most established providers of legal education and professional training, with a longstanding commitment to advancing justice, public protection, and excellence in law and criminology.

The award highlights Richards’ decades-long mission to transform how the criminal justice system identifies, assesses, and responds to dangerous offenders. Her evidence-based work has reshaped legislation, protected victims, and set new global standards for public safety.

Richards’ pioneering contributions include driving transformative reforms in stalking and coercive control law, creating widely adopted risk-assessment models, advising major police bodies, and founding Paladin, the world’s first National Stalking Advocacy Service. Her work continues to empower survivors, influence policy, and inspire cultural change across generations.

Presenting the award, Dr. John Kerr, Head of Policing and Criminology at The University of Law, said:

“Her career reflects a consistent commitment to applying analytical rigour to real-world problems, bridging the gap between behavioural science and practical law enforcement. Today, we recognise her outstanding professional achievements. For her tireless commitment to social justice, Vice Chancellor, it is my great pleasure to present Laura Richards for the award of Doctor of Laws, Honoris Causa.”

Richards expressed her gratitude, saying:

“Thank you to the University of Law for this award. I am deeply humbled to receive this honorary doctorate recognizing my professional achievements and tireless commitment to social justice. It’s been a long journey and I am only just getting started. This recognition is not mine alone. It belongs to every victim and family member who has shared their story with me and every professional who stood with me and refused to accept it was just ‘a domestic’ or ‘low-level nuisance behavior.’

I also want to acknowledge my extraordinary colleagues and mentors, campaigners and survivors who have walked beside me. And to every listener of the Crime Analyst podcast who has taken action to amplify victims’ voices and let legislators know that women matter — thank you. Change doesn’t happen by chance — it happens by choice and by us using and amplifying our voices. Together we can change and save lives. There is no greater honor than that.”

This honorary doctorate not only recognizes Richards’ global expertise, but also celebrates her relentless commitment to protecting women and children: work that continues to influence law, policy, and public understanding across multiple countries. Her ongoing efforts include advocating for coercive control legislation in the United States and Australia, as well as reforms to ensure serial domestic abusers and stalkers are proactively identified, assessed, and managed by criminal justice agencies.

About Laura Richards:

Laura Richards is a renowned criminal behavioral analyst and international expert on domestic abuse, coercive control, stalking, sexual violence, homicide, and risk assessment. After a decade analyzing violent crime at New Scotland Yard, she became the Violence Adviser to the National Police Chiefs Council (NPCC). With advanced training from the FBI’s Behavioral Analysis Unit and New Scotland Yard, she applies behavioral science to prevent violence before it escalates.
 

She holds a BSc in Psychology and Sociology and an MSc in Forensic and Legal Psychology, and has led 10 successful law reforms, including the criminalization of stalking and coercive control. Richards founded Paladin, the world’s first National Stalking Advocacy Service, and helped draft and deliver the UK’s first national training on coercive control.

A former head of the Metropolitan Police’s Violent Crime and Intelligence Analysis Unit, Richards continues to advise agencies across the UK and internationally on public protection. She developed the widely adopted DASH Risk Model, now a cornerstone of domestic abuse and stalking investigations.She is a recognized subject matter expert to the UK Home Office on stalking and has advised on national policy, legislation, and professional practice. She also serves as a subject matter expert to the Texas Governor’s Office Family Violence Task Force, providing expertise on coercive control and stalking to improve prevention, risk assessment, and systemic response.

Richards is also a prolific media contributor, serving as executive producer of The First Wife: John Meehan’s Reign of Terror, Dirty John: The Dirty Truth, The Case Of: JonBenét Ramsey, and Netflix’s Killer in the Family. She is the creator and host of the award-winning podcasts Crime Analyst and Real Crime Profile, which have reached millions of listeners worldwide.

For more information, visit www.thelaurarichards.com and follow Laura on Facebook, Instagram, X, Threads, TikTok and YouTube. Become part of the Crime Analyst Squad by joining Patreon today!

Nashville, TN (November 3, 2025) – Everyone’s favorite Gypsy Cowgirl, Twinnie, is back with the release of the official music video for her shimmering new single “Don’t Need a Cowboy,” exclusively premiered by both the Daily Mail and Holler. Directed by Joey Schrader, the striking visual captures the song’s message of confidence and independence, delivered with Twinnie’s unmistakable charm and magnetic sparkle.

A vibrant blend of country storytelling and disco-pop flair, “Don’t Need a Cowboy” spotlights Twinnie’s bold songwriting, infectious groove, and fearless individuality. With its radiant disco twang, the track, which was released October 10 and currently has over 225K streams, delivers a glittering Sabrina Carpenter-meets-Dolly Parton energy: playful, self-assured, and unapologetically country. Pairing sharp wit with a dance floor-ready rhythm, Twinnie reimagines the cowboy ballad for a new generation of free-spirited listeners who write their own rules.

Filmed against the breathtaking backdrop of Joshua Tree National Park, the “Don’t Need a Cowboy” video radiates cinematic style, weaving sun-soaked western landscapes with flashes of disco glamour. Schrader’s dynamic direction showcases Twinnie’s natural charisma and genre-defying artistry, bringing the song’s spirit of freedom and self-reliance vividly to life.

“It captures the freedom and joyful independence that permeate the track, with Twinnie rejecting the trope of running off into the sunset with a John Wayne wannabe,” Holler writes.

The single follows Twinnie’s recent British Country Music Association (BCMA) Award nominations for Best Female Artist and Best Single (“Hypothetically”), as well as a year filled with defining milestones including her celebrated cameo in Rob Brydon‘s new “Honky Tonk Road Trip” documentary on BBC Two, during which she amusingly teaches a struggling Brydon to line-dance.

The track also sets the stage for her much-anticipated Dirt Road Disco Tour, bringing her high-energy live show to fans across the UK. Tickets are selling out quickly, so get yours while you can! 

Tour Dates:
● The Lexington, London — Saturday, March 21
● Stereo, Glasgow — Friday, March 27
● The Crescent, York — Saturday, March 28
● The Deaf Institute, Manchester — Sunday, March 29
● Komedia Studio, Brighton — Saturday, April 4

Grab your boots and your best moves…Twinnie is here to prove you don’t need a cowboy to steal the spotlight.

Watch the official “Don’t Need a Cowboy” music video now on YouTube.

About Twinnie:
Twinnie is a boundary-breaking British artist whose genre-blending sound, powerhouse vocals, and bold storytelling have earned her critical acclaim from BBC Radio, People, Forbes, Billboard, NPR, and more. Raised in the Romani Travelling community, she brings fierce authenticity and inclusivity to every lyric, performance, and project.

Her 2020 debut album ‘Hollywood Gypsy’ was named BBC Radio 2’s Album of the Week, while her 22-track follow-up ‘Something We Used to Say’ was hailed by NPR as one of the best albums of November 2024. Since relocating to Nashville, Twinnie has made her Grand Ole Opry debut, appeared on U.S. radio and television, and released her U.S. label debut EP ‘Welcome to the Club,’ which has surpassed 24 millionstreams.

In 2023, her single “Bad Man” charted on U.S. Country Radio, and in June 2025, CMTdebuted the music video for her hit “Back to Jack” on the Paramount+ billboard in Times Square. The song is currently featured across CMT Equal Play, Spotify, and Apple Music playlists, highlighting Twinnie as one of today’s standout country artists.

A dynamic live performer, Twinnie has shared stages with Sheryl Crow, Lainey Wilson, and Chase Rice. Beyond music, she’s also a songwriter for Kylie Minogue, Bryan Adams, The Shires, and more, as well as an award-winning creative director and actress, joining the cast of the long-running British soap opera ‘Emmerdale’ in 2024.

As the founder of I Know A Woman, a nonprofit advocating for mental health access and equality in the music industry, Twinnie continues to use her platform for purpose-driven change.

With over 30 million streams, a growing global fanbase, and an unshakable commitment to authenticity, Twinnie continues to redefine what it means to be a modern artist—on her own terms.

For more information, visit https://twinnie.komi.io/ and follow Twinnie on Facebook, Instagram, X, TikTok and Spotify.